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ConFiguring America
Iconic Figures, Visuality, and the American Identity
Edited by Klaus Rieser, Michael Fuchs, and Michael Phillips
Intellect Books, 2013
Elvis Presley. Marilyn Monroe. LeBron James. They’re all American, of course, but like many cultural figures who hail from the United States, they have names and faces known the world over. ConFiguring America brings together a series of incisive essays that analyze a wide range of such figures: those who embody America’s tendency to produce celebrities and iconic personalities with global reach.
 
Drawing on theoretical insights from a variety of fields—including cultural iconography, visual culture, star studies, and history—a diverse group of international contributors sheds light on how these figures and their media representations construct America’s image beyond its borders. An important addition to an expanding field, ConFiguring America will deepen readers’ understanding of celebrity, iconography, and their worldwide implications.
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Gold
Nature and Culture
Rebecca Zorach and Michael W. Phillips Jr.
Reaktion Books, 2016
Gleaming and perfect, gold has beguiled humankind for many millennia, attracting treasure hunters, adorning the living and the dead, and symbolizing wealth, power, divinity, and eternity. This book offers a lively, critical look at the cultural history of this most regal metal, examining its importance across many cultures and time periods and the many places where it has been central, from religious ceremonies to colonial expeditions to modern science.
           
Rebecca Zorach and Michael W. Phillips Jr. cast gold as a substance of paradoxes. Its softness at once makes it useless for most building projects yet highly suited for the exploration of form and the transmission—importantly—of images, such as the faces of rulers on currency. It has been the icon of value—the surest bet in times of uncertain markets—yet also of valuelessness, something King Midas learned the hard way. And, as Zorach and Phillips detail, it has been at the center of many clashes between cultures all throughout history, the unfortunate catalyst of countless blood lusts. Ultimately, they show that the questions posed by our relentless desire for gold are really questions about value itself. Lavishly illustrated, this book offers a shimmering exploration of the mythology, economy, aesthetics, and perils at the center of this simple—yet irresistible—substance. 
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front cover of The House Will Come To Order
The House Will Come To Order
How the Texas Speaker Became a Power in State and National Politics
By Patrick L. Cox and Michael Phillips
University of Texas Press, 2010

In a state assumed to have a constitutionally weak governor, the Speaker of the Texas House wields enormous power, with the ability to almost single-handedly dictate the legislative agenda. The House Will Come to Order charts the evolution of the Speaker's role from a relatively obscure office to one of the most powerful in the state. This fascinating account, drawn from the Briscoe Center's oral history project on the former Speakers, is the story of transition, modernization, and power struggles.

Weaving a compelling story of scandal, service, and opportunity, Patrick Cox and Michael Phillips describe the divisions within the traditional Democratic Party, the ascendance of Republicans, and how Texas business, agriculture, and media shaped perceptions of officeholders. While the governor and lieutenant governor wielded their power, the authors show how the modern Texas House Speaker built an office of equal power as the state became more complex and diverse. The authors also explore how race, class, and gender affected this transition as they explain the importance of the office in Texas and the impact the state's Speakers have had on national politics.

At the apex of its power, the Texas House Speaker's role at last receives the critical consideration it deserves.

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front cover of The Marriage of Heaven and Hell
The Marriage of Heaven and Hell
William Blake
Bodleian Library Publishing, 2011
No work has challenged its readers like Blake’s The Marriage of Heaven and Hell. Blake’s “Proverbs of Hell”—by turns iconoclastic, bizarre, and unprecedented—have been employed as the slogans of student protest and become axioms of modern thought. Most extraordinary, though, is the revolutionary method Blake employed in making the physical book. The Bodleian Library holds one of the first copies that Blake printed using a technique he called "illuminated printing," and it is the only work in which he signifies its importance.

This new facsimile edition of The Marriage of Heaven and Hell includes a plate-by-plate guide to the texts, interlinear figures, and larger designs in a commentary accompanying the transcript of each reproduced plate. Drawings from Blake’s manuscript notebook, which were used as a basis for the designs, as well as working proof impressions, are also included, demonstrating the evolution of the work. This edition also reproduces a single plate from each of the other eight surviving copies, revealing how over a period of more than thirty years Blake altered the way he finished each copy. An introduction explores the book's literary and historical background, Blake’s printing process, and the book's anonymous initial publication.

This expertly edited work is available for students and scholars in paperback and for collectors in a special hardcover edition. Both versions allow Blake’s vision to reassert its breathtaking power.

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front cover of The Marriage of Heaven and Hell
The Marriage of Heaven and Hell
William Blake
Bodleian Library Publishing, 2011
No work has challenged its readers like Blake’s The Marriage of Heaven and Hell. Blake’s “Proverbs of Hell”—by turns iconoclastic, bizarre, and unprecedented—have been employed as the slogans of student protest and become axioms of modern thought. Most extraordinary, though, is the revolutionary method Blake employed in making the physical book. The Bodleian Library holds one of the first copies that Blake printed using a technique he called "illuminated printing," and it is the only work in which he signifies its importance.

This new facsimile edition of The Marriage of Heaven and Hell includes a plate-by-plate guide to the texts, interlinear figures, and larger designs in a commentary accompanying the transcript of each reproduced plate. Drawings from Blake’s manuscript notebook, which were used as a basis for the designs, as well as working proof impressions, are also included, demonstrating the evolution of the work. This edition also reproduces a single plate from each of the other eight surviving copies, revealing how over a period of more than thirty years Blake altered the way he finished each copy. An introduction explores the book's literary and historical background, Blake’s printing process, and the book's anonymous initial publication.

This expertly edited work is available for students and scholars in paperback and for collectors in a special hardcover edition. Both versions allow Blake’s vision to reassert its breathtaking power.

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front cover of White Metropolis
White Metropolis
Race, Ethnicity, and Religion in Dallas, 1841-2001
By Michael Phillips
University of Texas Press, 2006

Winner, T. R. Fehrenbach Award, Texas Historical Commission, 2007

From the nineteenth century until today, the power brokers of Dallas have always portrayed their city as a progressive, pro-business, racially harmonious community that has avoided the racial, ethnic, and class strife that roiled other Southern cities. But does this image of Dallas match the historical reality? In this book, Michael Phillips delves deeply into Dallas's racial and religious past and uncovers a complicated history of resistance, collaboration, and assimilation between the city's African American, Mexican American, and Jewish communities and its white power elite.

Exploring more than 150 years of Dallas history, Phillips reveals how white business leaders created both a white racial identity and a Southwestern regional identity that excluded African Americans from power and required Mexican Americans and Jews to adopt Anglo-Saxon norms to achieve what limited positions of power they held. He also demonstrates how the concept of whiteness kept these groups from allying with each other, and with working- and middle-class whites, to build a greater power base and end elite control of the city. Comparing the Dallas racial experience with that of Houston and Atlanta, Phillips identifies how Dallas fits into regional patterns of race relations and illuminates the unique forces that have kept its racial history hidden until the publication of this book.

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